Camera Icon Martin Scorsese has previously criticised Marvel' franchises. In a chat with Deadline last year, he said he thought superhero films are - and we quote here - “f.ing boring as s.t”. Scott makes this diss look positively glowing by comparison.
That’s the nature of modern film franchises: market-researched, audience-tested, vetted, modified, revetted and remodified until they’re ready for consumption.” “They are sequels in name but they are remakes in spirit, and everything in them is officially sanctioned because it can’t really be any other way. The pictures are made to satisfy a specific set of demands, and they are designed as variations on a finite number of themes. What’s not there is revelation, mystery or genuine emotional danger,” he said. “Many of the elements that define cinema as I know it are there in Marvel pictures. Not so, he says, before explaining that the dominance of these films is the fault of the industry, not of the “considerable talent and artistry” of some of the directors at the helms of some of the most popular mega-budget flicks.
Credit: JAY MAIDMENT /Marvel Camera Icon Tarantino has been unafraid to say what many in Hollywood are privately thinking: that Marvel’s dominance can’t last forever. “Some people seem to have seized on the last part of my answer as insulting, or as evidence of hatred for Marvel on my part.” Camera Icon If you believe some of the world’s top directors, Marvel movies including Thor are everything that’s wrong with cinema these days. “I said that I’ve tried to watch a few of them and that they’re not for me, that they seem to me to be closer to theme parks than they are to movies as I’ve known and loved them throughout my life, and that in the end, I don’t think they’re cinema. Interestingly, he then backtracked slightly in an opinion piece for the New York Times: “I was asked a question about Marvel movies.
He sparked widespread controversy in 2019 when he claimed in an interview with Empire that Marvel movies are “not cinema”. Scorsese has been equally dismissive, though he blames the Hollywood system, not the films themselves. Credit: Silver Screen Collection /Getty Images Camera Icon Actress and singer Barbra Streisand in a promotional still for the film Hello, Dolly!, 1969.
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“And what is a Marvel picture? A Marvel picture is one prototype movie that is made over and over and over and over and over again to look different,” he said. “There used to be studio films … now there are Marvel pictures,” he said.
While Tarantino, whose house is stacked with comic-book memorabilia, and who once considered making a comic-book hero film on Luke Cage in the 1990s, is measured in his criticism of the studio, other big names have not been quite as kind.įive-time Academy Award winner Coppola, who also has six Golden Globes, two Palmes d’Ors and a BAFTA to his name and was behind cinematic classics The Godfather and Apocalypse Now, pulled no punches in an interview with GQ last year, saying he thought Marvel movies were formulaic and predictable. Tarantino has been unafraid to say what many in Hollywood are privately thinking: that Marvel’s dominance can’t last forever. Credit: BANG - Entertainment Newsĭavid Crow, writing for Den of Geek, said: “Paint Your Wagon could be viewed as the death knell for both musicals and westerns in Hollywood … and certainly of Clint Eastwood’s singing career!” Camera Icon Quentin Tarantino has no interest in joining the likes of Taika Waititi, John Favreu and Ryan Coogler in making a Marvel or DC movie, pointing out he is “not a hired hand”. They cost a packet to make, but were largely ignored by cinemagoers, whose tastes had moved on pretty soon they were the epitome of cringe.
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Box-office flops like 1967’s Camelot and Doctor Doolittle, plus 1969’s Hello Dolly and Paint Your Wagon, signed the death certificate for the genre.
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